Shaping up very nicely
After seven weeks I have finished the first major chunk. The first 21 minutes. That’s quicker than I was expecting. The music is wonderful and I’ve two extracts to post. The first is a passage where the strings divide into 4, 4, 3, 3, 3. This features the VSL chamber strings with six violins, four violas, three cellos and two double basses per part. These passages tend be the strings providing a mosaic background to lyrical lines elsewhere. There’s a long melody in the tenor section over this. Listen for the lush 2nd violin four part glissando and the glorious top violin line later.
The second extract is an ecstatic full voiced moment for the choir divided into 32 parts largely supported by contrapuntal 10-part strings one of those joyous noise moments.
I’m still learning and improving as I go along and I shall want to go back and redo some earlier parts but intend for now to plow on. In particular I want to find a way to bring the choir forward in the mix, more in your face. At the moment they almost sound like their off stage and it’s very hard to make them loud enough in the big climaxes. And talking of big climaxes the end of this first 21 minute chunk is a real doosey. The problem is trying to rein in the excitement because the very end of the third movement is likely to be one of the biggest noises in any orchestral music right up there with the biggest moments in Mahler and even the Gothic. Way to go yet though.